Music by John Patrick Elliott from the London Production of KENREX about Ken Rex McElory is available on Amazon Music (you can also listen to it online)
Here’s a list of songs
- Welcome to Skidmore 03:38
- Beyond the Skyline 02:33
- Conjuring Ken 02:02
- Half Alive (Ida’s Version) 03:43
- McFadin’s Theme 02:05
- Holler at the Weasel 02:07
- Burnt out Barn 02:16
- Staring Down That Dead End Road 02:18
- Tape Flip 03:22
- Tick Tock Tickin’ Away 02:13
- Feels Like Madness to Me 02:36
- Coyote Catch Me 03:18
- The Dance of Death 01:44
- Shenandoah on Tape 04:56
- Midwest Lullaby 4:53
℗© 2024 John Patrick Elliott
- The music sets such a brooding mood that even the spotlight asked for a blanket.
- That soundtrack is so atmospheric it should come with a fog machine and a therapist.
- The score switches from country twang to suspense so fast I checked my pockets for a plot twist.
- The composer must’ve been paid in ominous drumbeats and leftover popcorn.
- The music’s mood is: “small-town secrets, large orchestral sighs.”
- Listening to the album on headphones is like getting stage fright delivered directly to your living room.
- The soundtrack is the only thing in the show quieter than the town gossip — and almost as dramatic.
- That opening guitar line promises answers; the violin politely declines.
- The music does such a good job of building tension I almost felt guilty for enjoying it.
- It’s the kind of score that makes you check the credits to see who’s hiding behind the cello.
- The score is so suspenseful the kettle refused to whistle until the final scene.
- That banjo hits a note that says, “You probably shouldn’t go into the woods.”
- The soundtrack is part country, part noir, and entirely suspicious of porch lights.
- The music’s timing is impeccable — it knows exactly when to make you look over your shoulder.
- The music is basically the town conscience, but with a dramatic entrance.
- The opening cue sounds like someone misread “mystery” as “mystery with harmonica.”
- Listening to the album in public: 10% music, 90% pretending you’re not following the plot.
- The composer treats silence like a character — and it’s the quiet one with secrets.
- The score’s motto: “We’ll set the mood, you supply the nervous twitch.”
- The music makes even stage directions sound ominous: “(lights flicker).”
- Halfway through the tracklist I started checking my messages for alibis.
- The percussion is subtle, but when it speaks, everyone in the cast listens.
- The soundtrack could sell out a reenactment just by playing the first thirty seconds.
- It’s the kind of album that turns a quiet sidewalk into a dramatic set piece.